ABOUT UFO:

There are even more stories about UFO than they’ve composed songs. Any band who have been in the music business for more than 40 years are bound to have experienced difficult times, but also dazzling successes and spectacular events. UFO’s success story began in London way back in 1969, when vocalist Phil Mogg, drummer Andy Parker, guitarist Mick Bolton and bassist Pete Way formed the group. Even in the Seventies, the band distinguished themselves with their very own, unmistakable style, touching a nerve among their growing following with rock numbers like ‘Prince Kajuku’, ‘Follow You Home’ or ‘C’mon Everybody’ from their albums UFO 1, Flying and UFO Live.

The global breakthrough arrived when German guitarist, Michael Schenker, joined the fold in 1973, having left his band Scorpions to follow an offer by Phil Mogg and Pete Way. UFO released three consecutive rock classics with Schenker (Phenomenon (1974), Force It (1975) and No Heavy Pettin’ (1976)), featuring classics like ‘Doctor Doctor’, ‘Shoot, Shoot’, or ‘Rock Bottom’. Following the arrival of keyboarder/rhythm guitarist Paul Raymond, UFO released their two studio albums Lights Out (1977) and Obsession (1978), including the hit singles ‘Too Hot To Handle’, ‘Lights Out’ and ‘Only You Can Rock Me’. Their live cut Strangers In The Night came out in 1979 and is referred to by the press to this day as one of the best live releases of all time, while also signalling the end of the Mogg, Way, Schenker, Parker & Raymond line-up.

The reorganised band underwent fifteen years marked by various eras and numerous line-up changes. To everyone’s surprise, autumn 1993 saw the return of the former UFO line-up consisting of Mogg, Way, Schenker, Parker and Raymond. This new edition of the classic team brought out Walk On Water, their first joint effort after one and a half decades, and embarked on a world tour. However, Schenker left UFO during the Walk On Water tour again to continue working with his own group, MSG, while Mogg & Way went on to release their second album, Chocolate Box. The UFO albums Covenant and Sharks, recorded by Mogg, Way and Schenker, arrived at the stores in 2000 and 2002. Vinnie Moore went on to follow in Schenker’s footsteps, who had returned to MSG, recording the songs on You Are Here with Jason Bonham. During the subsequent world tour, UFO cut a show in Germany, which was later released on the live album, Showtime, and the same-named DVD featuring additional bonus material. Later, Bonham bid his farewells and UFO’s original drummer Andy Parker returned on The Monkey Puzzle (2006) and its successors The Visitor (2009) and Seven Deadly (2012). So with Phil Mogg and Andy Parker, the band today consists of two original members, plus classic-era Paul Raymond and American guitar slinger Vinnie Moore – the perfect complement.

ABOUT SAXON:

Somewhere around South Yorkshire, UK there was a band that started life as SOB during 1976 with founder members Graham Oliver and Steve Dawson. This band joined forces with another local band, Coast, featuring Biff Byford on vocals and Paul Quinn on guitar. The two bands then finalised with a line-up comprising of the then 26 year old Graham ‘Oly’ Oliver, Steve ‘Dobby’ Dawson (27), Paul ‘Blute’ Quinn (26), Pete ‘Frank’ Gill (27) and Peter ‘Biff’ Byford (27). The name of the band was Son Of A Bitch. That name was dropped a few years later and the band re-christened themselves SAXON. They were at this time playing the usual rock clubs and concert gigs supporting The Ian Gillan Band and Heavy Metal Kids, amongst others, playing all their own material. Demo tapes were recorded at Tapestry Studios, with producer John Verity (Ex. Argent singer/guitarist). They hawked these round the usual record companies only to be ignored as the New-wave was at its height at this time. After a few months the band finally gained a favourable reaction from EMI man Peter Hinton. He had come up to Barnsley to see the band play at the town’s Civic Hall. He was very impressed and recommended SAXON to Claude Carrere as candidates for his new label on the British scene, Carrere Records. Claude decided to offer them a contract, after hearing the band’s demo tapes.